ChenaultHeade2r.jpg
All These Pieces have an astonishing relationship
If you have not looked at the illustrations and read the text for the sections listed on the left, it is not likely that you will be able to follow the discussion of “putting it all together”.  Much of what is to be
shown here is based on each of those segments and their amazing relationship to one another.  In other words, the graphic pieces shown on other sections of this site come together in a way that makes the whole much greater than the sum of its parts.
    If you recall from the short video creating a symbol for the Throne of God and the “beginning” referred to in Genesis 1:1, we have the creation of the “heavens and the earth” within one sentence.  But to understand more of this beginning we need to be able to compare the period before the earth was, or had become, formless and void, or chaos (various translations) – and later when the Spirit of God moved over the surface (or face) of the waters (Genesis 1:2).  
    With so little text to tell us about the beginning, I set out to see what I could discover using graphics based on those of the Creation Days of Genesis 1:3 to 2:3.  One day gives us the line, a second day shows us a triangle and a third day shows us a square.  (See individual days graphics).  Since the expanse God called heaven was a triangle and the earth and seas were the square, I combined the two to see how well they reflected the text.  Since God would certainly be at the head of Heaven I positioned the graphic for the Throne of God in the upper center position.  
    Through experimentation I discovered that the interior of the Pyramid of Giza was remarkably aligned to the triangle and square configuration and that it sat solidly upon the six squares that could be a type of six days.  This short animation shows this alignment and the moving of the Spirit of God over the face or surface of the waters.  The imagery is surprisingly literal.
     The key to this approach is in understanding that there is a change between the beginning when God created the heavens and the earth and the period afterwards.  To make order of the “chaos” God moved and began His organization of the earth and heavens according to the Days of Genesis 1:3-2:3.
    But that is certaily not the end of Giza’s role in showing who God is.  In the book’s graphics you can see that Giza plainly points not only to the Throne of God but also to the Cross of Christ.  While many Christians acknowledge the passageways of Giza as recording the history (or future) of Jews and Christians, no one has been able to decipher the purpose of the supposed air shafts. Until now. And I wasn’t even trying since the focus of this work is not the pyramid but God’s Creation Plan and the position of the Cross of Christ, essential to that plan.

The first important connection
I established the movement of the Throne of God (Spirit of God over the waters) from the “beginning”, Genesis 1:1, to the center, top of the Days diagram, after I made a mistake in favor of locating the Giza pyramid to the left of the Days diagram.  I had realized some time before that when God said let this be, then His words were coming from the Throne of God, not from left to right or right to left on some horizontal line.  How could anyone designate Alpha and Omega (infinity in both directions) on a horizontal line?  The two compared (illustrations B and C) show the essential difference between a unified creation and the Creation Days that paved the way for the Cross of Christ as its midpoint.
     You will see in the drawings and short video clips the red, angled lines emanating from the Throne of God in the “beginning” and then centered over the Days diagram.  This is how I located the stars in the heavens.  The stars, or white dots, are positioned where two or more of the angled lines cross - easily viewed by enlarging illustration C to
the right.

The second and most
critical connection
I had a good idea that the Creaton Days diagram would somehow reveal many things spoken of in the Bible but I never imagined how many – that is until I located the chart of Adam to the Land of Promise upon it.  I worked for several frustrating weeks attempting to place it upon a horizontal line but only after some eye-opening lessons on Jewish history did I determine that it needn’t be horizontal.  By viewing the people and events from Adam to the Land of Promise as an essential map legend, it exposed the most exciting of all of my discoveries with the diagram:
• a linear indicator for the Flood of Noah as reaching from “corner to corner” or covering the whole earth
• an indicator for the “separation” of the earth at the time of Peleg
• the time of Lamech (of Seth’s line) at a Second Day and the time of Noah’s birth closely approaching a Third Day
• the identification of Abraham’s first altar, Circumcision, the First Covenant, and the Destruction of Sodom at the brink of a Third Day AND the inescapable view (graphically) of these events occuring very near 2000 BC (historically)
• an exact overlay for the “wilderness”, 40 year wanderings of the Jews leaving Egypt and the historical dates for the return from Babylon
• Land of Promise as located directly upon the “heart” of the Cross
• the Cross of Christ shown as the only connection between earth and heaven
• the “generation” of Perez being squarely centered in the breach or gap that accomodates the width of the Cross of Christ
http://www.youtube.com/watch?v=Q4UmjxNSpR0

Relevance
It’s a fair question to ask what is the relevance of matching up all of the patterns of these graphics.  So I’m offering as straightforward an explanation as possible.  
    When so many separate graphics, taken from multiple books of the Bible marry up or superimpose upon one another in such a fashion as I have found, it essentially proves that the source is not man or men.  Over 1,500 years of the past 3,500 were taken to put it all in writing.  So in order for these things to fit together so impecably it has to be from a single source not limited by time. Or, in other words, the undeniable and consistent interconnectivity of these separate diagrams demonstrates that a higher intelligence has been the author of the Bible and that this higher intelligence, in pointing so consistently to Jesus Christ, intended to disclose His true identity only when He was ready for all men, not just believers, to see and know it. 
     These tactile findings, so utterly dependent upon our time (the age of personal computers), lend credence to the dispensationalist’s view of the Bible as a reflection of God’s timing as opposed to man’s will. They also put to rest the errors of the preterist’s view that so much prophecy in Matthew 24 and Revelation has already taken place.

Please Proceed to Very Unusual Findings
 

DEDICATION & HISTORY    IN THE BEGINNING: THE WORD = LANGUAGE    ADAM TO THE LAND OF PROMISE
THE LANGUAGE OF GRAPHICS - THE DAYS    WOMEN CALLED TO THE PLAN OF CREATION    TWO CREATIONS? TWO ADAMS?
PUTTING IT ALL TOGETHER    VERY UNUSUAL FINDINGS


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DEDICATION & HISTORY:
HOME PAGE
IN THE BEGINNING:
THE WORD = LANGUAGE
ADAM TO THE LAND
OF PROMISE
THE LANGUAGE OF
GRAPHICS - THE DAYS
WOMEN CALLED TO
THE PLAN OF CREATION
AFTER THEIR KIND,
AFTER ITS KIND
TWO CREATIONS?
TWO ADAMS?
PUTTING IT ALL
TOGETHER
VERY UNUSUAL
FINDINGS
beginningthree.gif
Begin-poster.jpg
Overlay.gif
Top illustration offers the graphic version of a second day (heaven dividing the waters above from the waters below) and a third day (earth and seas).  The center illustration shows the coorelation between a second day and a third day, an overlay of the triangle (heaven) upon the earth and seas.  
    The bottom is a short animation that shows the amazing matchup between the pyramid of Giza and the stars in the heavens that make the pattern for creation.  The Spirit of God moves over the surface of the waters and leaves the pyramid behind.   However, once moved the Throne of God points through a (supposed) airshaft to the Queen’s Chamber and another air chamber plus one side point precisely to the Cross of Christ in the center of the framework.  © Georgann Chenault 1985 - 2011 All rights reserved.
InBeginningJoined.gif
Illustration B.  Click to enlarge. The creation before the fall shows heaven the triangle, and earth, the square, joined.. © Georgann Chenault 1985 - 2011   All rights reserved.
SplitCreation.gif
Illustration C.  Click to enlarge.  The Creation of the Days shows heaven and earth divided two ways - horizontally and vertically.  This appears to have been done in two phases – at the Flood of Noah and at the time of Peleg, the felling of the tower of Babel. © Georgann Chenault 1985 - 2011   All rights reserved.
ThroneCloseUp.gif
Throne of God center, top of Creation Diagram shows diagonal lines representing the 6 Days.  The center of the Throne of God is outside of the Creation Days diagram but the emanations from the Throne establish the “boundaries” of the Creation Days.

NOTE:  This approach shows the Bible’s description not to be of linear time, but more “dimensional”.
SixDays.gif
Click to enlarge. God gave us the text of the days as if recounting linear time, but in truth the Days are not adequately described on any time line.  The illustration here shows how the Six Days are more accurately viewed.